Let me clarify, Poirot. In real life, Nicole wouldn't get any info from the doctor treating Brady, even if they were married. (And I by no means meant to suggest Nicole
should have been told by her recently de-scruffed pseudo-lover.) But it has been par for the course in Salem for
everyone to know everything
at all times, so this sudden turnabout in following real-world rules (while I would love to believe has something to do with the writers listening to fans/critics) merely serves as a plot point.
Just like babies/tots, previously unheard of ex-lovers, sudden inability to manage finances, and sudden police competence, sudden compliance to real-world rules is a flag to serve their outlandish plots. If these things were worked in more subtly (example: If Theo had been seen more than twice in the last six months, his pushing Abby/Chad would have been less grating; or if Paul had had his surgery and PT and interacted with others for a few months before trying to french Sonny), they would be acceptable, and
much less obvious. But I have no doubt that next month, if it serves DA PLOT, Daniel won't know what HIPAA is.
I mean, these are
still the writers who pushed certain couples in defiance of critics, ratings, and general fan reaction. Who broke up other couples and brought back unpopular villains. Who create characters without story and backburner other characters with tons of story potential. If they can't listen about major things, I doubt they'd listen about minor things. Just my read on it. Truly hope I'm wrong, so I can be sad when these hacks are jobless.
Edited to add: We are also talking about the writers who have inexperienced writer Will Horton, who didn't even finish college or publish anything significant during his college career, with a super contract that lets him
write articles for anyone he wants to. That's right, a
contract that explicitly states
he can write for others. (So much for real-world logic.)